![]() Recently, Robbins has been writing the comic book adventures of Honey West, notable as being one of popular fiction’s first female private detective. In the mid-1990s, Robbins criticized artist Mike Deodato’s “bad girl art” portrayal of Wonder Woman, callingĭeodato’s version of the character a “barely clothed hypersexual pinup.” In the late 1990s, Robbins collaborated with Colleen Doran on the DC Comics graphic novel Wonder Woman: The Once and Future Story, on the subject of spousal abuse. The series paid homage to the character’s Golden Age roots. At the conclusion of the first volume of the series (in conjunction with the landmark series Crisis on Infinite Earths), DC Comics published a four-issue limited series titled The Legend of Wonder Woman, written by Kurt Busiek and drawn by Robbins. Robbins’ official involvement with Wonder Woman, a character she had long admired, began in 1986. Older character running her own modeling agency and minding her niece Misty. The short-lived series was a reinterpretation of the long-standing character Millie the Model, now as an ![]() In the mid-1980s she wrote and drew Misty for the Marvel Comics children’s imprint Star Comics. In the early 1980s Robbins created adaptations of Sax Rohmer’s Dope and Tanith Lee’s The Silver Metal Lover. Ackerman’s story “Vampirella of Draculona” in Vampirella #1 (Sept. ![]() ![]() Robbins was artist co-creator of the Warren Publishing character Vampirella, designing her costume and hair for writer Forrest J. ![]()
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